In 'Leila & Khaled', Nyla Matuk tells not only of a return to Palestine, but also of the impossibility of escaping the images shaped by her own Western socialisation
With 'Fatherland', Paweł Pawlikowski responds to Colm Tóibín’s Thomas Mann novel with radical minimalism: a film of glances, pauses and empty spaces – overwhelmingly beautiful, though at times too ascetic