In "Like a Wild God", Gianfranco Calligarich transforms a forgotten, cruel piece of the puzzle that is Italian colonial history into a postmodern, refracted, sparkling and contemporary mosaic.
What else does a black female writer have to do in this world? What does she do with the rage that consumes her when she is again marginalized or used as "the attraction" for show? And what does she do with her throbbing shame?
In "About Leo Perutz", Daniel Kehlmann enthuses about this forgotten writer and shows why his novels are still worth reading decades after their publication